As every year, the Fondation’s outside spaces will be adapted to welcome our public at 7.30 PM or later, once the sun starts to set. The terraces will resound with voices, the words of Guillaume Bruère, the prose of Ben Okri and the coffee-machine noises of Die Polstergruppe. Save the date – starting 28 June!

4–10 July 2016, exhibitions open from 11 AM to 9 PM

• 28 June, 7.30 PM: Encounter with Guillaume Bruère

Patio / Admission free

Guillaume Bruère in his studio. © Photo: Anton Corbijn

Bice Curiger, artistic director of the Fondation Vincent van Gogh Arles, and artist Guillaume Bruère (alias GIOM) met for the first time in 2012, at the Zurich Kunsthaus, in front of Vincent van Gogh’s 1889 Self-portrait with Pipe and Bandaged Ear. For GIOM, it was the start of a lasting friendship with the Fondation and the city of Arles.

In summer 2013, one year prior to the opening of the Fondation, GIOM came to Arles to present ten portraits inspired by Self-portrait with Pipe and Bandaged Ear. He also completed a large-scale colour drawing of a female model in front of the public on the city’s Place du Forum. From this live performance was born the portrait L’Arlésienne – another explicit reference to Van Gogh. In April 2014 GIOM took part in the inaugural exhibition Van Gogh Live!, at which he showed some thirty drawings. The agitated line of these works on paper expresses at once forcefulness and tentative exploration, mastery and rebellion. His next appearance in Arles was as a highly appreciated speaker at the symposium “Van Gogh–Duchamp” in January 2015.

The Fondation is delighted to welcome Guillaume Bruère back to Arles on 28 June to talk about “My Van Gogh”. GIOM, for whom Van Gogh represents the “definitive artist”, will be talking about the Dutch master’s oeuvre and the role that Vincent plays in his own work as an artist.

About the artist

Guillaume Bruère, alias GIOM (born 1976 in Châtellerault, France) is a painter, draughtsman, sculptor and performer. He lives and works in Berlin. He studied at the École des Beaux-Arts in
Nantes and subsequently at the École Supérieure de l’Image in Poitiers, since when he has exhibited in numerous institutions, notably at the Château de Chambord in France, the Fondation Vincent van Gogh Arles, the MARTa Herford Museum and Galerie der Stadt Backnang in Germany, and with Nahmad Contemporary in New York.

Fragile and impulsive, colourful and liberated, his oeuvre carries with it a dazzling energy. GIOM regularly installs himself in museums in order to reinterpret major works of art directly in front of the original. Colour, the practice of collage, the search for expressivity – all these elements combine to create a unique universe in GIOM’s revisitings of canvases by earlier masters, as well as in the live public performances in which the artist demonstrates, to the point of exhaustion, the physical energy that informs his work. More recently, the theatre, dance scenes and a camp for refugees have provided the settings within which he has captured reality in his striking portraits.

• 8 July, 7.30 PM: “Starry night with Ben Okri and Vincent van Gogh”

Patio / Admission free— Reading in English

The Fondation Vincent van Gogh Arles will be hosting an event that brings together the writings of Ben Okri and the presence of Vincent van Gogh. Ben Okri will be celebrating, in poetry and prose, the spirit of art and the magic of painting. The evening will be devoted to discussions and readings about art, politics, contemplation, African artistic traditions and Vincent van Gogh. Ben Okri will share his fascination for the work of the great artist as well as read from his poems and his novels on art and artists, In Arcadia, Dangerous Love and Starbook.

About the artist

© The Independent

Born in 1959, Ben Okri is a Nigerian poet and novelist. After spending his early childhood in England, he moved with his family back to Nigeria. At the end of the 1970s he returned to the UK to study comparative literature at the University of Essex. He today lives and works in London. His works have been translated into more than twenty languages, and his passion for poetry goes hand in hand with his social and political engagement. Having experienced the civil war in his country at first hand, Ben Okri has never ceased to denounce the corruption and military power that hold sway there.

After publishing his acclaimed first novel, Flowers and Shadows, Ben Okri achieved international recognition in 1991, when he won the Booker Prize with his novel The Famished Road. He is also the author of Astonishing the Gods (1995) and Tales of Freedom (2010). To date he has published ten novels, three books of short stories, two collections of essays and three volumes of poems, the most recent being Wild (2012).

In tandem with literature, Ben Okri also pursues an artistic career and was in fact a painter before devoting himself to poetry. His deep-rooted connection with the realm of the visual arts finds expression in his writings. Two of his novels are about artists, including Starbook (2007), which tells
the tale of a prince and a maiden belonging to an artistic tribal community. Many of his poems are about painting and its makers. His latest novel is The Age of Magic (2014).

• 11 & 12 July, 9 PM: Die Polstergruppe, with Stephan Eicher, Simon Baumann, Adrian Iten, Rainier Lericolais, Martin Gallop and Stefan Lakatos 

Terrace / € 25, tickets available via our website only from 20 June 2016, subject to availability: http://www.eticket-fvvga.com

© Martin Suter

“Harmony, melodious sounds and the well-being of our highly esteemed public have been our priority since 2012!”. Stephan Eicher, Simon Baumann, Adrian Iten, Rainier Lericolais, Martin Gallop and Stefan Lakatos invite you to join them on 11 and 12 July 2016 on the terrace of the Fondation Vincent van Gogh Arles.

1) What if Die Polstergruppe was a town?
It would be La Chaux-de-Fonds rebuilt in Central Africa – at 4° 15’ 6’’ S, 15° 15’ 11’’ E, to be precise.

2) What if Die Polstergruppe was a chord?
It would be A minor.

3) What if Die Polstergruppe was paying homage?
It would be a homage to Vincent; we would play in mono.

4) How should you listen to Die Polstergruppe?
Preferably at sunset, reclining on a deckchair salvaged from the wreck of the Titanic, after a good dinner at which you’ve skipped dessert and coffee. Die Polstergruppe will take care of that…

5) What if Die Polstergruppe had an artistic priority?
Our motto: ruthlessly harmonious!

6) What would be the perfect place to spend an evening in company with Die Polstergruppe?
It would be a terrace still lusciously warm from the fierce Arles sun, on which we would be comfortably installed (a Polstergruppe is a three-piece upholstery suite) as night falls, sipping an expresso to stimulate the mind and sooth the stresses of the day… while the musicians follow a score specially created for this shared moment.

7) What do I need to create my own Polstergruppe?
52 kilos of sandalwood, 25 litres of velvet, a few colour plates from a forgotten herbal, some horsehair and cat gut, a professional coffee machine with 4 pistons… and some friends.

As a prelude to the Fondation’s official opening in spring 2014, Van Gogh live! was the point of departure for a series of unique dialogues between contemporary art and the painting of Vincent van Gogh. For this first edition, a number of internationally renowned artists had been invited to produce unusual images and performances, as living manifestations of the artistic heritage bequeathed by the Dutch master.

The artist and draughtsman GRRRR (Ingo Giezendanner) explored the town on foot, at the end of which he will transcribe his visual impressions into a vast, panoramic drawing on the palissade currently situated outside the entrance to the Fondation’s future home.

Portraits by Guillaume Bruère and famous couples by Elizabeth Peyton are posted at unexpected points around the town, stopping passers-by in their tracks with their intense intimacy at the heart of the public space.

Paul McCarthy’s video Painter is a satirical parody of the myth of the artist, and questions the hallowed status of the figure of the painter in the history of art.

Bruère will also be delivering a unique performance exploring the genre of the self-portrait.

The Norwegian singer Nils Bech and musician Julian Skar will present an intimate live concert for passers-by in the Jardin d’été.

Elizabeth Peyton

Street posters in the centre of Arles

28 June – 14 July

GIOM

Live painting – Place du Forum, Hôtel Nord-Pinus terrace
1st July – 7pm

Outdoor poster exhibition
Rue Tour de Fabre
28 June–31 August

GRRRR

XXL Drawing: Live!
35 rue du Docteur Fanton
30 June–8 July

Paul McCarthy

Video screenings Painter, 1995
4 July – 22h – 68 rue Chartrouse
13 July – 22h – 32 rue de la Liberté

Nils Bech & Julian Skar

Live Concert
Jardin d’été – Boulevard des Lices
9 July – 7.30pm

With support of Music Norway

Thomas Hirschhorn & Bice Curiger in conversation – 11 July, 9.30pm

Fondation Vincent van Gogh Arles → Patio

On Time And Space, Fritz Hauser
Eglise Saint Honorat (les Alyscamps), Arles

Screenings, readings, concerts & encounters

• 6 to 11 July, from 11am to 10pm: exhibitions open in the evenings

Fondation Vincent van Gogh Arles
Admission: Full € 9 / Reduced € 7 / Young people & students € 4 / Under 12, free 

“VAN GOGH Drawings: Influences and Innovations” 
“RONI HORN: « Butterfly to Oblivion” 
TABAIMO: “aitaisei-josei” 

•  6 to 11 July, from 10pm to midnight: screenings of videos Michel Auder

Patio, courtyard & terrace / Admission free 

• 8 July, 7pm: Michel Auder in conversation with Bice Curiger

Patio / Admission free 

Michel Auder, born in Soissons, France, has lived in New York since 1969. With his short videos, the filmmaker has established a raw and poetic aesthetic which bases itself on accidental and unexpected events and thus trusts in improvisation and the beauty of chance. At the heart of his work are the people close to him: observed in the course of their daily lives, his friends share their personal experiences and points of view in a spontaneous manner. 

Michel Auder was one of the first filmmakers to work with the Sony Portapak. This ground-breaking portable video recorder, which he started using in 1969, allowed him to develop an intimate, video-diary style of filming. Turning his gaze upon the people around him and upon the universes in which they live, he creates touching, sincere portraits devoid of artifice. 

From 6 to 11 July 2015, the Fondation is presenting an extensive overview of Michel Auder’s work, with a new selection of videos being screened in the patio area every two days. The courtyard, panoramic terrace and patio are open to the public from 10pm until midnight. The artist will be making a personal appearance in conversation with Bice Curiger on Wednesday, 8 July at 7pm. Michel Auder’s videos have been exhibited in numerous museums and institutions in the United States and in Europe. 

• 15 July, 8.30pm: A drum is a Woman, Cécile Rives & Aldo Romano, musical performance

Courtyard / Admission free

Jazz drummer Aldo Romano – one of the greatest – is also a singer, songwriter and composer. From bebop via fusion to free jazz, he has recorded a multitude of albums and worked with a host of other celebrated musicians: Don Cherry, Chet Baker, Michel Portal, Carla Bley, Claude Nougaro… 

Cécile Rives is an opera singer and vocalist. She studied at IRCAM, the Institute for Research and Coordination in Acoustics/Music in Paris, but is also a trapeze artist and likes to meld her singing with other spheres: contemporary and improvised music, contemporary art, circus and music hall… 

The title A Drum is a Woman is inspired by an album originally composed by Duke Ellington. For the duo’s musical performance on 15 July, the multi-faceted voice of Cécile Rives dialogues and plays with the free jazz and lyricism of Aldo Romano’s drumming in a unique composition à deux in real time. 

• 26 July, 7.30pm: Hack Wit / Hack Gloss, with Roni Horn & Anne Carson,
reading performed by four voices

Patio / Admission free

Performance in English

American artist Roni Horn, born in 1954 in New York, works on the mutability of material, language and identity. Literature is a core strand of Roni Horn’s practice and manifests itself both in the new Hack Wit body of works currently on show at the Fondation and in the artist’s encounters with writers. One such encounter with the Canadian poet, essayist and Classical scholar Anne Carson gave rise to the text Hack Gloss, which offers a literary pendant to Roni Horn’s Hack Wit drawings, based on the principle of cutting up and then recomposing English idiomatic expressions. 

At the evening event on 26 July, Anne Carson’s Hack Gloss is the object of a reading for four voices – a vocal fireworks display which articulates itself around the linguistic and visual propositions of Roni Horn.