Van Gogh’s time in Provence, from his arrival in snow-covered Arles in February 1888 to his departure from Saint-Rémy-de-Provence twenty-seven months later, seems both novelistic and tragic. His dazzling painting, the significant development of his correspondence, his yellow house, Gauguin’s visit, his mutilated ear, his bouts of depression, all fuel the legend of this artist, adding up to a true winter’s tale.

Beyond the myth, however, lie both the actual work of the Dutch master, which flourished during this period, and his letters, which served as a real testing ground for his thoughts on art. His work acquired such depth in Provence that it continues to inspire creatives the world over to this day, solidifying Vincent’s place as a “link in the chain of artists.”¹

At the heart of the exhibition To Vincent: A Winter’s Tale are the artists who bear witness to Van Gogh’s ongoing relevance, and the artworks they have chosen to exhibit serve as letters addressed to him. Using a variety of mediums, styles, and techniques, these artists explore and reflect upon the ideas expressed in the painter’s correspondence – whether related to landscape, light, portraiture, friendship, or solitude. Together, their responses tell a tale of their own.

The exhibition presents the work of twenty-two artists from different generations. Some of them are not very well known – such as Dominique Ferrat (born 1954), who has pursued her work outside of the public eye for more than four decades, or James Castle (1899-1977), who has often been associated with outsider art in America. Others, whose areas of interest resonate with Vincent’s own, are established figures in contemporary art: Harold Ancart (born 1980), Rineke Dijkstra (born 1959), Joseph Grigely (born 1956), Nathanaëlle Herbelin (born 1989), Ann Veronica Janssens (born 1956), Mark Manders (born 1968), Wolfgang Tillmans (born 1968), and Anselm Kiefer (born 1945), who is presenting drawings he made in Provence at the age of seventeen, during a trip he made to follow in the footsteps of Van Gogh.

It also includes both historical works – by artists such as Gustave Fayet (1865-1925), who, as an artist and collector, contributed to Van Gogh’s growing renown, Hans Josephsohn (1920-2012), who made powerful sculptures, and hypographic agitator Isidore Isou (1925-2007) ­– and works by contemporary artists who have responded directly, creating works specifically for the exhibition – Jacopo Benassi (born 1970), Martin Boyce (born 1967), Gérard Collin-Thiébaut (born 1946), Simone Fattal (born 1942), and Louise Sartor (born 1988).

Two of Van Gogh’s paintings, on loan from the Van Gogh Museum in Amsterdam, an original letter addressed to Gauguin from the collection of the Musée Réattu in Arles, as well as several previous editions and examples of Van Gogh’s correspondence will also be presented, making the resonance with the work and life of Van Gogh all the more powerful.

An original catalogue published by the Fondation Vincent van Gogh Arles will trace the unique trajectory of this exhibition. It is organized around the major themes of Van Gogh’s correspondence and features two new letters addressed to him by contemporary writers Sylvain Prudhomme – who welcomes him to Provence – and Louise Chennevière – who bids him goodbye.