Piper Marshall is an independent curator and writer based in New York City, as well as a doctoral candidate in the Department of Art History and Archaeology at Columbia University. As curator at the Swiss Institute/Contemporary Art New York, she organized the group exhibition Descartes’ Daughter and edited the accompanying reader (Sternberg, 2014). Marshall writes for periodicals including Texte Zur Kunst, Art in America, Kaleidoscope, Spike, The Third Rail and artforum.com.

Other notable projects include “The Body as Techno-Base”, an ongoing collaborative research project with artist Rochelle Goldberg; the group exhibitions Standard Operating Procedures at Blum and Poe, Los Angeles (2012); Meet Me at the Bottom of the Poem at New Jersey with John Tremblay in Basel, Switzerland (2010); and Middle Man (Dan Graham, John Miller, Nicolas Guagnini) at Three’s Company, New York (an apartment gallery co-founded with Alex Gartenfeld, 2010).

• Publication: Van Gogh-Duchamp: Oil and Water?, symposium proceedings, 2017